Tree Bodyscape
Date: 10/16/2011
She's lying three-quarters on her left side, neck in the bottom right corner, shoulder in the bottom right corner with arm along her back, and hips at the top of the frame.
Tree Bodyscape - b/w
Date: 10/16/2011
She's lying three-quarters on her left side, neck in the bottom right corner, shoulder in the bottom right corner with arm along her back, and hips at the top of the frame.
Tree Bodyscape - desaturated
Date: 10/16/2011
She's lying three-quarters on her left side, neck in the bottom right corner, shoulder in the bottom right corner with arm along her back, and hips at the top of the frame.
Picture Window III
Date: 10/16/2011
There was something surreal about the desert view out the windows of this half-fallen abandoned house.
Picture Window III - b/w
Date: 10/16/2011
There was something surreal about the desert view out the windows of this half-fallen abandoned house.
Picture Window III - selective saturation
Date: 10/16/2011
There was something surreal about the desert view out the windows of this half-fallen abandoned house. All the moreso with the selective saturation accentuating the 'hole in reality' effect of the 'hole in the wall.'
Picture Window I
Date: 10/16/2011
There was something surreal about the desert view out the windows of this half-fallen abandoned house.
Picture Window II
Date: 10/16/2011
There was something surreal about the desert view out the windows of this half-fallen abandoned house.
Picture Window I - b/w
Date: 10/16/2011
There was something surreal about the desert view out the windows of this half-fallen abandoned house.
Picture Window II - b/w
Date: 10/16/2011
Picture Window I - selective saturation
Date: 10/16/2011
There was something surreal about the desert view out the windows of this half-fallen abandoned house. All the moreso with the selective saturation accentuating the 'hole in reality' effect of the 'hole in the wall.'
Picture Window II - selective saturation
Date: 10/16/2011
There was something surreal about the desert view out the windows of this half-fallen abandoned house. All the moreso with the selective saturation accentuating the 'hole in reality' effect of the 'hole in the wall.'